VR installation showcase (2019)
VR installation showcase (2019)

Two distinct VR experiences (Gasmask VR, Finishing Bell), mirroring the viewer perspective on a wall of screens, and simultaneous touchscreen interaction with 3D scans used. Concordia university visualisation studio, Montreal, Canada.

Crush and Burn (2016)
Crush and Burn (2016)

2000 red plastic toy bricks, two MacBook Pros running Blender software, two LCD flat screens
Conflating the software environment and the physical space the bricks inhabit, this work is an attempt to jam together two spaces that are normally distinct in practices of screen-based making.

CRVB installation, 2018
CRVB installation, 2018

Showing VR experience with hand tracking, featuring a creative scan produced using stills from a viral video, mirroring the viewer perspective on a screen and projection of scan source video over the viewer. Photo taken in Beta Lab group show at Sporobole, Sherbrooke, Canada.

Crush and Burn (2016) screenshot
Crush and Burn (2016) screenshot

The forms rendered in the gallery space as well as in 3D model making software, represent the machine parts necessary to process the plastic bricks into a raw material useful for a 3D printer.

Avec l'autorisation de la Galerie Leonard & Bina Ellen Photo : Paul Litherland

VR installation showcase (2019)
Crush and Burn (2016)
CRVB installation, 2018
Crush and Burn (2016) screenshot
VR installation showcase (2019)

Two distinct VR experiences (Gasmask VR, Finishing Bell), mirroring the viewer perspective on a wall of screens, and simultaneous touchscreen interaction with 3D scans used. Concordia university visualisation studio, Montreal, Canada.

Crush and Burn (2016)

2000 red plastic toy bricks, two MacBook Pros running Blender software, two LCD flat screens
Conflating the software environment and the physical space the bricks inhabit, this work is an attempt to jam together two spaces that are normally distinct in practices of screen-based making.

CRVB installation, 2018

Showing VR experience with hand tracking, featuring a creative scan produced using stills from a viral video, mirroring the viewer perspective on a screen and projection of scan source video over the viewer. Photo taken in Beta Lab group show at Sporobole, Sherbrooke, Canada.

Crush and Burn (2016) screenshot

The forms rendered in the gallery space as well as in 3D model making software, represent the machine parts necessary to process the plastic bricks into a raw material useful for a 3D printer.

Avec l'autorisation de la Galerie Leonard & Bina Ellen Photo : Paul Litherland

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